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Post by Chris on Jul 15, 2022 18:26:54 GMT -5
Surprise, all those analog records may have been digitally sourced all along.
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Post by Chris on Jul 18, 2022 8:59:24 GMT -5
More discussion and details contained in this video.
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Post by Chris on Jul 20, 2022 10:39:55 GMT -5
The Video that answers the questions.
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Post by Chris on Jul 20, 2022 17:36:15 GMT -5
And now the reaction.
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Post by Chris on Jul 22, 2022 11:02:17 GMT -5
And another analysis.
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mark
Junior Member
Posts: 79
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Post by mark on Jul 23, 2022 17:05:19 GMT -5
Well, this is pretty interesting!
Looking at reactions to this apparent revelation I get the impression some folks are shocked not so much that they may have been deceived, but that they've been thoroughly enjoying some top quality audio recordings that turn out to have had a digital stage. Its might be like finding out your favorite expensive scotch you've been loving for years was actually switched for some cheap plonk all the time. You were deceived, but you did enjoy it!
Finally, if these vinyl recordings involve digitizing master tapes, then why not just listen to the equivalent streaming version? I can't see how the extra step of converting the digital format to vinyl can improve the sound of that recording.
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Post by sailor on Jul 24, 2022 9:43:25 GMT -5
I've watched a lot of the bits about this subject and feel lucky I do not feel betrayed because I never bought into the "Audiophile" recordings very much. If I find one used in good shape I might get it. I am underwhelmed by most of what I have heard and generally do not see the value in spending $50 for an LP. I like hearing when MF says not all the MoFi releases sound good. Just like all other LPs, there are some good and some bad. MF claims he is an honest reviewer and I only take that with a grain of salt. In this new climate of the 'big lie' you can only trust your ears.
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Post by Chris on Jul 27, 2022 14:28:00 GMT -5
STATEMENT FROM MOBILE FIDELITY We at Mobile Fidelity Sound Lab are aware of customer complaints regarding use of digital technology in our mastering chain. We apologize for using vague language, allowing false narratives to propagate, and for taking for granted the goodwill and trust our customers place in the Mobile Fidelity Sound Lab brand. Read here.
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Post by sailor on Jul 27, 2022 15:42:42 GMT -5
well they had to say something. I will not think this will change much. Most of their records sound pretty good, many get mixed reviews. the only mofi I own were used purchases; I just do not think they are worth the cost new.
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Post by Chris on Aug 7, 2022 9:51:35 GMT -5
The fallout continues. Big article in Washington Post. Interview with Post reporter.
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Post by sailor on Aug 8, 2022 10:34:55 GMT -5
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Post by Chris on Aug 12, 2022 11:07:56 GMT -5
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Post by sailor on Aug 13, 2022 10:30:33 GMT -5
It is really hard to dig oneself out of a public relations nightmare. This does sound a bit like marketing gobbledygook. Of course, if you a MoFi fan you will get past this debacle
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Post by larrys on Aug 13, 2022 10:36:41 GMT -5
This is a tempest in a teapot. If DSD provides a faithful copy of an analog tape without adding additional noise, then fine. Analog playback provides ample opportunity to tailor the sound in any way one wants through the choice of the playback equipment (especially the cartridge and the phono preamp).
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Post by speakertom on Aug 13, 2022 16:44:24 GMT -5
Yes, you can tailor the sound by matching up various pieces of analog equipment. However, for any given combination of equipment you are limited to how that equipment modifies the sound. If you want to change that sound for any reason due to for example different source material, you have a difficult and expensive process on your hands. Personally, I do not like having the basic design of a piece of equipment act as a modifier of the signal because you are stuck with what the equipment designer thought was "correct". There are lots of ways to make sonic changes in both the analog and digital domains without requiring equipment swap outs. Start with a system that can be true to the information as recorded and then use adjustable methods to change it to your liking. Although many changes are available in the analogue domain, they are easier and more repeatable in the digital domain. So, if tailoring the sound is truly what you are after, and the source was at one time digital, you have a much easier job if you stay in the digital domain.
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